Three rooms,
one tin roof,
17ft ceilings.
Studio A.
The big room.
A 30 × 24 control room around an SSL 4000G console, with a 28 × 20 live tracking room behind a 12-foot glass wall. Original 1920s tin tile across the ceiling — yes, we kept it. Yes, it's part of why it sounds the way it sounds.
Studio A is the room for full bands, ensembles, brass sessions, and any record where the room itself needs to be a tracked element. Two iso rooms feed back to the same console.
Room B.
The night room.
A smaller, tighter, two-iso vocal and overdub room around a 16-channel API console. Quiet enough that the HVAC turns off during takes — we wired in a manual cutoff specifically because the room is that controlled.
Room B is the room for solo vocal sessions, overdub days, voiceover work, and small ensemble follow-ups after a Studio A tracking week. Booked in 6-hour or 12-hour blocks.
Mastering
Suite.
A dedicated mastering room — purpose-built, room-tuned within a quarter-dB across the listening seat. Manley Massive Passive, Maselec MEA-2, a vintage Sontec, and a pair of B&W 802 D3s on Stillpoints.
Attended sessions welcome and free of charge. Remote turns inside two weeks. We deliver DDP for vinyl + DSP-spec masters in the same handoff.
The whole
building, plotted.
Come walk through
before booking.
Free 45-minute walkthrough hosted by an engineer — not a sales rep. Hear the rooms, ask the awkward questions, take notes. Tours run twice a week.