Before I shot weddings I shot magazines. I still do — about ten editorial assignments a year, mostly travel and lifestyle, plus the occasional fashion brand. The work below is what currently exists between covers and on shelves.
Commercial work is more selective than editorial — about four campaigns a year. I work best with brands that want stillness and texture, not movement and saturation. A representative slice of the past three seasons:
A campaign for the Resurrection Rinse-Free hand wash, photographed across two days in a Tribeca apartment. Three rolls 120, available light only.
A boutique campaign for the new Brooklyn shop. Three days, four models, a single roll of Tri-X for portraits and Portra for product.
A four-day lookbook in southern Spain. Apiece Apart specifically asked for "no fashion direction, just the pictures she'd make." Honored.
A documentary commission inside Heath's Sausalito studio over two visits. About 60% of the published images were portraits of the makers.
Editorial assignments run on a different rhythm than weddings. Faster turn, tighter brief, more conversation up front. The framework below is what I send to art directors at the start of every assignment.
Day rates start at $4,800. Multi-day editorial commissions are quoted on the brief. Travel, film, lab, and a single assistant are typically billed at cost; everything else is in the day rate.
Licensing is negotiated separately. Most editorial work is licensed for first North American serial rights with a six-month exclusivity window; commercial usage is custom.
I do not retouch heavily. Scans are color-corrected at Richard Photo Lab to my standing instructions, and I do a single light pass for cropping and dust spotting. If your story needs heavier post, I'm not the photographer for it.
Editorial and commercial inquiries go straight to my inbox; I read every one. Send the brief, the dates, and any visual references you have. I'll reply within two business days.
Send the assignment brief →