— Editorial & commercial

Magazine work, commissioned stills, the slower assignments.

Before I shot weddings I shot magazines. I still do — about ten editorial assignments a year, mostly travel and lifestyle, plus the occasional fashion brand. The work below is what currently exists between covers and on shelves.

— A selection of mastheads
VogueBazaar ItaliaCondé Nast TravelerThe CutVogue KoreaNylonCerealApartamento
— Recent stories

The features.

Four stories from the past two seasons, each shot over two to four days. All on Hasselblad medium format and Leica 35mm; everything developed and scanned at Richard Photo Lab.

— Bazaar Italia · Spring travel issue

Quiet light, quieter rooms

March 2025 — 8-page spread
— Hasselblad 500CM
— Portra 800

Three days in a converted convent outside Florence. Stylist Luna Vincenti, model Eun-ji Park, single wardrobe assistant. The shoot ran like a slower, weirder wedding day. The art director sent a single round of feedback: "less fashion, more rooms."

Editorial 1 Editorial 2 Editorial 3 Editorial 4 Editorial 5
— Condé Nast Traveler · Slow living issue

Mornings on the Costa Brava

July 2025 — 12-page spread
— Leica M6 + Hasselblad
— Portra 400 + Tri-X

A ten-day commission in northeastern Spain, photographing five small hotels and the kitchens that run them. Slept in each one a single night. Most of the published photographs were made before breakfast or after the staff had gone to bed.

Costa Brava 1 Costa Brava 2 Costa Brava 3 Costa Brava 4 Costa Brava 5
— Vogue Korea · April

The Brooklyn studio at six.

April 2025 — 6-page spread
— Hasselblad 500CM
— Portra 400

A small portrait series of writers and choreographers in their own working spaces, shot over four mornings in Brooklyn and Manhattan. The brief was "early light, no makeup, no styling." We did not stray.

Studio 1 Studio 2 Studio 3
— The Cut · Long-form profile

The composer who took six years off.

February 2025 — 4-page profile
— Leica M6
— Tri-X 400

A three-day visit to a composer's home in upstate New York to accompany a long-form profile. Black and white throughout, mostly available light, mostly the kitchen and the studio. The profile won a National Magazine Award nomination.

Composer 1 Composer 2 Composer 3 Composer 4 Composer 5
— Commercial & brand work

The clients I take on quietly.

Commercial work is more selective than editorial — about four campaigns a year. I work best with brands that want stillness and texture, not movement and saturation. A representative slice of the past three seasons:

— Spring 2025

Aesop · Body Story

A campaign for the Resurrection Rinse-Free hand wash, photographed across two days in a Tribeca apartment. Three rolls 120, available light only.

— Fall 2024

Le Labo · Petit Hôtel

A boutique campaign for the new Brooklyn shop. Three days, four models, a single roll of Tri-X for portraits and Portra for product.

— Spring 2024

Apiece Apart · Resort 24

A four-day lookbook in southern Spain. Apiece Apart specifically asked for "no fashion direction, just the pictures she'd make." Honored.

— Winter 2024

Heath Ceramics · Studio

A documentary commission inside Heath's Sausalito studio over two visits. About 60% of the published images were portraits of the makers.

— How a Your Business assignment runs

The editorial process, on paper.

Editorial assignments run on a different rhythm than weddings. Faster turn, tighter brief, more conversation up front. The framework below is what I send to art directors at the start of every assignment.

The typical assignment

  • — Pre-production call2 weeks out
  • — Brief + treatment exchange10 days out
  • — Test roll (if requested)1 week out
  • — Shoot days1 – 4 days
  • — Film to lab+1 day
  • — Scans returned+5 days
  • — Edit + first selects+8 days
  • — Final delivery+12 days

Day rates start at $4,800. Multi-day editorial commissions are quoted on the brief. Travel, film, lab, and a single assistant are typically billed at cost; everything else is in the day rate.

Licensing is negotiated separately. Most editorial work is licensed for first North American serial rights with a six-month exclusivity window; commercial usage is custom.

I do not retouch heavily. Scans are color-corrected at Richard Photo Lab to my standing instructions, and I do a single light pass for cropping and dust spotting. If your story needs heavier post, I'm not the photographer for it.

— For art directors and editors

Have a story in mind?

Editorial and commercial inquiries go straight to my inbox; I read every one. Send the brief, the dates, and any visual references you have. I'll reply within two business days.

Send the assignment brief →