WeeklyThe Long Walk Home
Stories of the people we lose track of — addresses we leave behind, friendships we let slip, and the long ways back. Recorded at the kitchen table, mostly. Maren is a former staff writer at Harper's whose work has been a Peabody finalist twice.
WeeklySlow Frequency
A field-recording show about the sounds we stop hearing — refrigerator hum, cathedral silence, the noise of an empty subway car at 4 a.m. Soothing and slightly disorienting. Theo records in stereo, mixes it with care, and almost never speaks over the audio.
Bi-weeklyHard Currency
An economics show for people who hate economics shows. Lina, an ex-bank examiner, walks through a single financial idea per episode — patiently, plainly, and with a lot of receipts. Recent topics: stablecoin reserves, the FDIC's least-cost test, why student loan refinancing is mostly a lie.
WeeklyThe Tin Kitchen
Recipes, but really arguments. Adaeze invites a chef onto her show, then they fight politely about whether to brown the butter, salt the water, and what counts as a stew. She ran the line at three Lagos and Brooklyn kitchens before publishing her first cookbook in 2023.
MonthlyField Notes
A working scientist's reading log. Reni, a marine biologist out of Woods Hole, walks through one paper a month in plain language and explains why it matters — or doesn't. Long, slow, generous episodes meant for a long drive or a quiet Saturday.
WeeklyCrosstown Local
Cities, told one street at a time. Each episode is a single block — its history, its current disputes, the bodega owner's opinion on the new bike lane. Recorded in the field, often in winter. Ezra spent sixteen years covering city hall before this.
MonthlyHouse Spirits
A show about faith, ritual, and the small religions we make at home. Mae, a former hospital chaplain, talks with people about the rooms they pray in and the rooms they used to. Reverent without being earnest. Quiet without being precious.