A working portfolio of every garden the studio has finished. Photographs are taken at the end of the first growing season — the moment when a meadow has closed canopy and a courtyard has stopped looking like a project.
A former concrete driveway turned into a half-acre courtyard with a salvaged-basalt patio and a Vine Maple canopy.
A two-acre back lawn replaced with a chaparral-edge meadow, terraced over old fire-roads.
A coastal lot at the mouth of the Columbia. Wax myrtle, beach strawberry, and a bunchgrass meadow holding the bluff.
A 30-tree heirloom orchard underplanted with a wildflower understory and salvaged-stone paths.
A 1920s ferryman's cottage on Bainbridge. Privacy hedge, Doug-fir grove, and a single Pacific Madrone.
A drought-tolerant residential garden centered on a re-graded seasonal stream.
A side-yard project: 80 feet of vine maple along a basalt runnel.
Three acres of pollinator meadow, sequenced to bloom April through October.
An Eastside Portland courtyard centered on red-flowering currant and a single bench.
Three quarters of an acre at the mouth of the Columbia, fourteen feet above the high tide line. The brief was to hold the bluff with deep roots, screen the Pacific wind, and leave a clear sightline to the river.
What we ended up with: a bunchgrass meadow on the bluff face, a 60-foot stand of Pacific Wax Myrtle on the north side, two single Pacific Madrones, and a salvaged-driftwood bench facing the channel.
They drew us a garden we didn't know we wanted, then made it look like it had been there for thirty years.— A. & J. Marlowe · Hawthorne Court
By the second summer it stopped looking like a project and started looking like a place.— R. Tomine · Salt Marsh House
We bought the house for the lot. They are the only reason the lot now reads as a garden.— D. Okafor · Tilden Slope