Brand assets
Logo (svg), brand colours (hex), brand typeface (otf or link), and any voice / tone documents you have. The more, the better.
You send a brief through the intake form (or a few paragraphs by email — both fine). We reply with a written quote and timeline within 48 hours. Once countersigned, we hold a 60-minute kickoff call.
We come back with three short directional concepts — usually a half-page each, plus reference frames. Pick one (or mix two). The chosen direction becomes the working brief for the next four weeks.
If your project has voiceover or text-on-screen, we lock the script at the end of week three. Two written rounds of feedback. After this point, script changes will affect timeline and quote.
Full storyboard panels frame-by-frame, plus three to five style frames showing colour, character design, and texture. Two rounds of feedback. This is the last "cheap to change" stage.
The longest phase. Rough animation → clean line → colour → composite. Voiceover and sound design layered in. Daily playblasts shared in a private project folder so you can watch progress live.
Final master delivered as ProRes 4444 + H.264, plus two cutdowns and three social aspect ratios (1:1, 9:16, 4:5). Source files (After Effects + assets) included on every project.
Three things make the project move on time. Send them at kickoff and we won't bother you again until the storyboard.
Logo (svg), brand colours (hex), brand typeface (otf or link), and any voice / tone documents you have. The more, the better.
Animation we should look at. Doesn't have to be ours. Three to five works that capture how you want the piece to feel — and one we should avoid.
One person on your side who can sign off. Committee feedback turns a 10-week project into 14. We're flexible on who, but we need just one.
2D first, always. We will mix in 3D elements when a brief calls for it (we have a freelance partner who handles 3D), and we are happy to integrate live-action plates that you provide. We do not direct live-action shoots.
Two written rounds at script and at storyboard, one round at animation. After the second animation review, additional revisions are billed at our day rate ($1,200 / day). In practice we very rarely hit the second-revision wall.
You do, on every project. Source After Effects files, Illustrator assets, exported plates, and audio stems are delivered alongside the master. The only thing we keep is the right to share the finished piece in our own portfolio.
Sometimes. A 30-second spot can be done in 5 weeks instead of 10 with a 30% rush fee, assuming our schedule has the room. Anything tighter than 5 weeks we will usually decline — the work suffers.