Broadcast reads that land the buy.
National TV, terrestrial radio, in-store, paid social cutdowns, brand sonic IDs, and the occasional explainer-style brand-film narration. Warm-baritone is the default; conversational pull-back the easy second register. Direction takes priority over my preference — I am not the agency.
- Session length
- 30 min – 2 hr typical
- Takes per read
- 3 named takes
- Delivery
- WAV 48k/24-bit + MP3 320
- Loudness
- −23 LUFS broadcast / −16 web
Long-form work, finished on schedule.
Five publisher imprints, sixty-two finished titles, and a steady track record of staying inside producer pickup-budget. Punch-and-roll editing, character voice consistency tracked in a per-book lexicon, ACX-spec mastering on request.
- Throughput
- ~3 finished hours / day
- Turnaround
- 2–3 weeks for typical novel
- Production
- Punch-and-roll · noise floor <−60dB
- Spec
- ACX, Audible, in-house publisher
Characters with weight.
Lead and recurring TV roles, indie animation pickup work, video-game NPC range reels. Range covers villainous bass to wide-eyed dad-energy and fourteen named characters tracked in a casting matrix. Looping and ADR comfortable.
- Range
- 14 named voices on call
- Looping
- Comfortable, scene-matched
- Sessions
- Per-line or per-episode booking
- Casting
- Self-tape or live audition
Even-pacing for the work that needs the trust.
Streaming docs, museum installations, branded explainer videos, e-learning. Even pacing, low-affect read, no broadcast-flavour. The kind of read where the listener never thinks about the narrator — only the subject.
- Style
- Low-affect · slow-conversational
- Delivery
- Per-segment WAV stems
- Sync
- To-picture available
- Reuse
- Discounted re-records on update
