Foundry vase, tall
Cone 6 stoneware. Iron-saturate glaze with rutile breaks at the lip. Stands 11¼″.
A one-potter studio in the Hudson Valley firing four small drops a year. Every cup, vase, and bowl is thrown on a kick wheel, glazed in iron-rich oxide, and signed on the foot with the firing number it shipped from.
Cone 6 stoneware. Iron-saturate glaze with rutile breaks at the lip. Stands 11¼″.
10oz. Dusty-rose ash glaze, soft pull on the handle. Foot signed.
Cone 6 stoneware. Wood-ash overpour on rust slip. 8″ across.
Pair-listing — order one or two. Slip-trail at the base, raw on the foot.
Single stem. Iron-oxide saturate over slate slip — runs warm in afternoon light.
Hand-built slab with rust slip. Sold to a subscriber on the early list.
Every piece spends six weeks on the rack — from a cone of stoneware to the foot-signed thing you eventually pull out of the box. We don't restock, we don't reorder forms, we don't outsource. The kiln holds 32 pieces, eight come out as seconds, and the remaining 24 form the drop.
The studio is open Thursday through Sunday for slow walks and one-on-one fittings. If you've never thrown clay, that's the day to come.
Tour the studio →Cone 6 stoneware wedged by hand on a slate block, then pulled on the kick wheel. A tall vase takes about 40 minutes from cone to rim.
Two weeks under cotton in the rack room. Trimmed at leather-hard, foot-signed with the drop number, slip-painted before bisque.
Iron-saturate base over the body, ash overpour at the rim. Each piece glazed individually — no dipping batches, no spray gun.
32-piece electric kiln, twelve-hour cycle, six-hour cool-down. Eight come out as studio seconds. The 24 keepers are the drop.
If a drop piece isn't quite the right size, glaze, or count for your home — open a commission. Three slots a quarter, ten-week lead time, half down on approval of the shape sketch.