I shoot weddings on 35mm film and a Hasselblad 503cw. Eight years in. Eighteen weddings a year, on purpose — quiet days, slow rolls, prints you'll still hang up in twenty years.
A small selection from the last eighteen months. The full archive, organized by year and format, is on the work page.
I'm June. I grew up in a darkroom in Astoria · my mother is a botanical illustrator and my father develops black-and-white film for a living. I learned to see in slow motion before I learned to drive, and I still shoot the way I was taught — light first, frame second, breath third.
I've been photographing weddings full time since 2018. I shoot a mix of 35mm color negative film (mostly Kodak Portra 400 and 800) and a Hasselblad 503cw with a single 80mm lens. I bring a small digital backup but I almost never use it.
I book eighteen weddings a year on purpose · enough to make a living, few enough that I'm not tired on the day I shoot yours. The rest of the year I shoot editorial — Cereal, Kinfolk, Magnolia Journal — and I take portraits of writers, makers, and chefs.
I respond to every inquiry within forty-eight hours. I'm based in Portland, available worldwide, and I'd rather drive than fly when I can.
June takes the photographs you didn't know you needed and skips the ones you thought you did.— Anya & Reubenmarried — Lopez Island, August '24
I'm taking last-call inquiries for May and June. Editorial bookings open through autumn. Travel is on the table for anywhere I can drive in two days.